Showing posts with label Fender Strat Review. Show all posts
Showing posts with label Fender Strat Review. Show all posts

Wednesday, October 23, 2013

D'Addario Planet Waves NS Micro Tuner

You know what they say, "Small things come in good packages!" D' Addario Planet waves NS Micro Tuner for guitar, bass, mandolin, uke and banjo.
D'Addario & Co. Farmingdale, NY Just when you thought it couldn't be done, Planet Waves takes center stage with the world's smallest guitar tuner. I have their NS Mini Headstock Tuner which is also very small...so tiny in fact that I simply leave it on the guitar's headstock when placing it in the case! I reviewed it here along with other Planet Waves Guitar Tuners.

Small But Mighty
I really liked the Mini Headstock Tuner when it first was released. First of all, you couldn't beat it for portability but even more than that, it is extremely accurate. I used to use my Tru-Strobe Pedal Tuner before each studio session but now I just tune up with the Headstock Tuners.
PW's NS Mini Headstock Tuner is the forerunner to the new micro version.
Like Having a Built in Tuner
I had my Fender Stratocaster modified with a built in tuner that went under my volume knob. The thing is GREAT but when I have to change the 9v battery, I'll have to take the guitar apart. It wasn't easy installing it either. I took it to a professional music shop and had it done as I did not want to blow up my guitar . Why go through all of that when these tuners are small enough to be left of the headstock during transport?

Performing with the Micro Tuner
Another thing that you'll like is that unlike some other tuners, the audience can't see it on your headstock! I've performed with it and no one could tell it was there. So stealthy. Since it's hanging out there on the headstock for the whole set, you can tune up as much as you like. Amazing.

My Mini Tuner is there. Can you see it?
Mini to Micro Comparison 
So what is the difference between the two tuners, besides size of course? Based on how I've tried it, turning on the Micro Tuner is much easier. It has a dedicated, universal power button unlike the previous model which required repeated pressings to scroll through to the desired options. Same thing for turning it off. One button, one press. Genius.

Micro on the left, Mini on the right!
NS Micro Tuner-The Wrap 
Like the Mini model, (Ned Steinberger design), the Micro has an easy to use ratchet clamps and can be mounted on either the front or back of your headstock. The NS Micro Tuner has the added features of a reversible multi-color display and a visual metronome. The Power Button allows you to press to toggle the tuner off and on but the tuner automatically powers off in 10 minutes to save battery life.

Color Codes: The unit shows the actual note and Red indicates:out of tune, Yellow: almost in tune and Green: in tune.
The cursor buttons: allow you to press either arrow to adjust tuner calibration from 410-480Hz. While in Metronome Mode, press wither arrow to adjust tempo setting from 20 to 270bpm. Most tuners can't do that!
Flip Button: Press to change screen orientation. This is really helpful for tricky headstocks that make placement of the tuner hard to see. Orient the screen they way you want for easy viewing.

You get TWO tuners in a pack so you'll have twice the tuning fun for multiple instruments. A great value all the way around and definitely something to consider for the Guitarist on your gift list this year.

Wednesday, March 30, 2011

Bob Dylan Revisits Highway 61 VIDEOS!



We're celebrating Bob's 70th Birthday this May as Highway 61 Revisited performs Dylan's "All Along the Watchtower" with breakout solos by Joel Gilbert, (lead vocals, rhythm guitar 1945 Gibson J-50), Scarlet Rivera, (violin) and John "JJ" Jackson, (lead guitar, arch-top Gretsch). Rivera was part of Dylan's Rolling Thunder Revue Tour and is heard on many of his recordings.  Jackson likewise was an original band member of Dylan's and was part of his Never Ending Tour. Gilbert is a cinematographer (Bob Dylan: World Tours 1966-1974, NR 2004) and expert on Bob Dylan's music and instruments.   This incredible tribute band will be performing at BB King's Blues Club in New York City on May 30, 2011. Click the link here or see listings under "SHOWS" below for tickets.  Visit Highway 61 Revisited website for concert dates and band info'.
Notice: Copyright music and lyrics reproduced by kind permission of Special Rider -- for original, exclusive performances by Bob Dylan, check-out the official channel at Bob Dylan's TV Channel on YouTube

Rico Tabazio - Fender bass!

Gilbert, Dr. M & Peter after the show










Blowin' in the Wind and Leopard Skin Pillbox Hat. Check out Scarlet Rivera's violin solo while cracking up over Dylan's lyrics on Pillbox Hat.  Jackson's cool blues guitar solo at the end is NOT to be missed!

Sunday, May 10, 2009

Tired of Guitar Hero?

Congratulations to DAVID MACDONALD, winner of our May Guitar Gear Give-Away!
Get a real guitar!
PHOTO: Dr. M and her North American made Fender Standard Stratocaster in Chrome Red. Guitar Cable by SnapJack.

Haven't you had enough? You see these poor kids and even worse, adults buying video guitar games, trying to play like Slash. Well, if you are like me and would rather play a real instrument, don't despair. Here is our down and dirty list of what you need to get for a younger player or even yourself without selling your firstborn. In fact, buying a musical instrument will be a much better investment than any video game purchase. We're even going to recommend some great DVD's to go with that new guitar in case you're a little rusty.

What's a Good "First" Guitar for a Child?

If you want to get a child their first guitar, unless they are as big as an adult, a small sized body instrument will often work better. The child will have a easier time holding the instrument and that extra comfort level may be enough to help him or her stick with it when the going gets tough. Fender Stratocasters, namely the Squires are reasonably priced, easy to play and often come as a package which includes a small practice amp. The Strat, by design, is very easy to play and the body shape makes it quite comfortable to hold.

If you prefer not to worry about purchasing an amp, consider purchasing a Little Martin (LX Series) or small body acoustic guitar. Again, these are scaled down in size for smaller hands and are much more comfortable for a child to hold than say a full sized Dreadnought. The sound is still very good so no sacrifice there. Acoustics are a bit more delicate but you will not have to worry about amp issues as these types of guitars can go anywhere.

Get the child involved in choosing the color or style of their guitar. That way they will bond with the instrument and want to spend more time playing it. Children are generally very sensitive about colors and shapes. They may surprise you about what colors appeal to them so keep an open mind. Martin's small body LX Series come in many bright colors such as the purple shown below. Let them play the guitar first and pick the color they personally like. This way, they are part of the decision process and invested in playing that particular guitar. No one is going to benefit by having a guitar sit in the case growing old.


PHOTO: Martin LX in Purple

A lot of the appeal of the Guitar Hero games is due to the bright colors of the guitars and computer graphics. What may seem outlandish or garish to us often comes across as fun and exciting to a child. This acoustic, small bodied guitar also comes in natural, red, black, blue, pink or even decorated with cartoon themes.

The point is, real guitars aren't boring anymore! These instruments are just as attractive as their video-game counterparts. Better still, you'll have the satisfaction of knowing you've made an investment in the child learning to play a real instrument. Musicians, especially those who go on to read notation often also excel in math. Learning time signatures, quarter, half and whole notes are all math related skills and can crossover to help your child in these areas. Can a guitar video game do that? In this tight economy, it is wise to keep a check on our investments. Most video games have a very short shelf life. Game manufacturers often discontinue game systems after about two years or less. This means that the software or game cartridges you've purchased at about $75 a pop are no longer going to work on the upgrade. Just look at the evolution of GameBoy and you'll know what I mean.

How About a Good "First" Guitar for Me?

Really, if you are just starting out or returning to playing after a number of years, you might look into purchasing a second hand instrument. North American made C.F. Martins, Taylors and Fenders are all good choices and often hold their resale value well. If you insist on new, Martin has reintroduced production of the 1-Series Dreadnought, (see it in the banner ad section). Satin finished all around it retails for under $900. The Fender Standard Stratocaster shown above is made in North America and is under $700.00 even with Fender's recent price increases.

PHOTO: Taylor 410ce acoustic/electric

If you want a more than an entry level guitar but comfort and versatility are also important, you might consider a C.F. Martin cut-away or this Taylor 410ce acoustic / electric with a Venetian cutaway as shown here. I've played this Taylor model and while I prefer the wider body and sound of a C.F. Martin, it's neck had a modern feel with the cut-away offering greater access to the frets closer to the sound hole. Now this is not going to be as comfortable as a Stratocaster but you can see how the body is more contoured to fit yours. Better still, these models, (both C.F. Martin and Taylor make acoustic / electrics with Venetian cut-aways), give you the choice to play acoustically or with an amp. This means you may only need one guitar for everything. Play it acoustically at jams and informal gatherings. Play it with an amp onstage. The choice is yours! Visit C.F. Martin Guitars online at: http://www.martinguitar.com/ and Taylor Guitars online at: http://www.taylorguitars.com/

What About an Amp?

One caveat here. A lot of companies are doing double-speak with their amps these days. They will say something like, "Designed in the U.S.A. - Manufactured in China". Guess what? Its a Chinese amp, chums. My recent experiences with Fender's line of China imports has been less than stellar. I tried one of their China-tone tube amps last summer, (Super Champ XD-something). It wouldn't even fire up on the showroom floor. It was brand new and hadn't even left the store! Real smooth. Another Fender amp I had only lasted 18 months before the power source blew up, (during a concert actually). Needless to say I'm not thrilled with them any longer. The good news is that you can still buy quality American made amps at very affordable prices.

PHOTO: Tech21 Trademark 30

If you are going to choose the Fender Strat, acoustic / electric C.F. Martin or Taylor Venetian Cutaway you'll need a decent practice amp. One that will more than do the job, won't break the bank and is proudly designed and manufactured in the good 'ol U.S.A. You should definitely look into Tech21's Trademark 30 shown in the photo.

Tech21's Trademark 30 boasts 30 watts, a 10 inch Celestion speaker, true spring reverb, and like its big brother, the Trademark 60, allows direct recording via a XLR out. The Trademark 30 is actually based on Tech21's legendary SansAmp GT2 Pedal. So the sounds you can achieve are quite similar to the Trademark 60 which we are currently using in the recording studio. The best news is it that you don't have to sacrifice tone as the Tech 21 has all the warmth of a tube amp but is a much more reliable and road worthy due to its solid state construction. Check them out at Tech21: http://www.tech21nyc.com/


DVD Lessons to Get You Going



Greg Douglass Lead Guitar DVD If you've played before, even a little, what you don't need now is to go back to square one with lessons. Oh it sounds like a good idea but believe me, the tediousness will drive you crazy and you won't stick with it. At this point you want to play your guitar already. Greg Douglass is extremely versatile and as a platinum artist, has toured with Steve Miller, Van Morrison and Eddie Money. His approach is fresh, not tedious in that you can really play what he does. My favorite section is the one on the Em Pentatonic Scale Licks. You can quickly expand your lead repertoire with this DVD. Chapters are numbered for easy access and include scale patterns, slide techniques, alternate positions, phrasing and much more. Website password included with the DVD allows you to download and print all of the lessons or just parts that you need. Sweet! Douglass also has a Fingerstyle Guitar DVD available from Icons of Rock.


Tommy Bolan Metal Primer DVD I love Tommy and after speaking with him personally, I can tell you he is a committed instructor and musician. Bolan is also a vibrant player and a passionate performer but what he unleashes in this DVD is awe inspiring. He covers speed techniques, harmonics, scales, string skipping, pendulum picking, arpeggios, tremolo tricks with live gear demos.
I think anyone will benefit from Tommy's techniques and lessons, even if you are not a metal-head. His DVD helps build speed with accuracy. You will enjoy lessons as never before with these two DVD's. See if your local music store or college offers guitar lessons or find a musician's guild that you can play with regularly. Try a style not too familiar if you really want to stretch out and expand your technique. This DVD came with a free offer for set of GHS Strings, who is also participating in our FREE May Give-Away. A really great little extra!
Both these DVD Guitar Lessons and more are available online from Icons of Rock: http://www.iconsofrock.com/

MAY GIVE-AWAY ENDS May 31st 2009!: Oh Yeah! It's our FREE May Guitar Gear Give-Away!!! Your chance to win more free goodies from C.F. Martin, GHS Strings and Planet Waves. Our happy winner will receive a gift bag of premium guitar (electric & acoustic), banjo or mandolin strings and a Planet Waves Acoustic Quick Release Padded Guitar Strap. Simply include your email address & leave a COMMENT by clicking the link below and tell us: "What was your first guitar (or stringed instrument) and do you still have it today?"

Monday, September 22, 2008

BOSS GT-10 and DigiTech's RP-90

The BOSS GT-10 road-ready to rock!
Case by Tarcase Co., custom made in the USA

On the Floor...in Your Face!

One of the most outrageously fun things we've done this summer is check out the NEW BOSS GT-10 and DigiTech's RP Series of on-the-floor guitar multi-effectors. Having had experience with the BOSS DR-3 Drum & Bass Machine plus their BR1200CD Digital Recording Studio, this was an easy transition as the GT-10 is light-years more simple to use than any other BOSS gear I've worked with. The same goes for my owning DigiTech's VL2 and VL4 Vocalist Live line of signal processors. Kudos for both companies for making their units user-friendly without hauling out the phone book sized manuals BOSS is especially known for.

So how do these multi-effectors stack up, especially since in our last issue, we showed how to construct your own pedal board? I'll be honest. No multi-effector can replicate the tone and subtle nuances of your favorite pedal. On the up-side, these multi-effectors offer something of their own but you need to appreciate them for what they are and what they are not. First off, they are not boutique pedals. The Keeley Compressor and Fuzz Head boxes we tested are in a class all their own....really. You can even tweak the Keeleys for even more control over your individual sound. These are the originals upon which the analogs in the floor multi-effectors are based. In other words, manufacturers will try to approximate an electronic copy of the sound of your favorite effects pedals, cabinets, amps and pickups. They can get close but there's nothing like the real thing!

Well, what are you getting with a multi-effect unit like the GT-10 and the RP-90? Quite frankly, a lot. The GT-10 offers something like 198 presets with storage space for 400 of patches giving you everything from dirty to clean to weird with some effects I've never even heard of. One of the other students in my guitar class brought in his DigiTech RP-70, (a model below the RP-90), and it made his guitar sound like a pro-recording studio demo. The effects that he got from that little box were off-the-hook, incredible. Now while I really respect a tone snob's right to be picky, I think the floor multi-effectors have a place in a musician's arsenal of gig-tricks. For
example, you have an early morning radio show and want to
play live on the air with the station's DJ. Good enough but I know from experience that most radio station sound booths are very small. There's barely enough space for the broadcasting equipment, let alone you. If you think you are going to bring your full rig in to set up, think again! In this case the DigiTech RP-90, shown here to your right, would be perfect. It is very small but gives you 12 amp/cab models, 6 distortion models and 32 effects, 50 presets plus a drum machine. The sound quality of your multi-effector, like anything else is going to depend on your amp. We used a Behringer 45 watt amp, a Roland SA-300 Stage Amp, (350 watts) and a Crate GX-20M guitar amp, (20 watts) for a stereo mix. Therefore we had plenty of top and bottom end to allow them both to fully express themselves. I've done an instrumental recording with the GT-10 and it was as easy as plugging in the 1/4 jack cables into the back of the recorder. The results were impressive.

The GT-10 has the advantage of being a bit more box than the RP-90 but it is also cost about $400 dollars more! The GT-10 also has USB/MIDI capabilities, a parallel effects chain and a sound on sound 38 second phrase looper. I recently heard Phil Keaggy use a loop station in his performance and all I can say is you need to get one! The GT-10 is also quite heavy, built like a tank and something you'll appreciate in the long run. You'll need a serious flight case for the BOSS unit while the DigiTech RP-90 can be popped into a padded gig bag without much fuss. The sound of both pedals was quite impressive, (each has an onboard tuner), and I would not hesitate to gig with either in a live concert. In fact, I've seen a BOSS GT-8 on stage at a major rock concert and it was doing the job. In practical terms, if you like to experiment or cover music that requires more than a few pedals, either of these would be a great investment with a strong lean towards the GT-10. You're getting so many boxes and effects in one easy to use unit. We recommend Spectraflex braided pedal cables as their shielding helps prevent problems before they start. We used them to connect a send-return effect, that is a Keeley Compressor to the GT-10 showing that you can insert an individual pedal if you want. For more information, visit the websites below or check the banner ads on your left.

BOSS GT-10 Price: $499.00 http://www.bossus.com/

DigiTech's RP-90 Price: $99.95 http://www.digitech.com/

Spectraflex Cables Price : $17.99 http://www.spectraflex.com


Fall Features: We're currenlty on the road through Christmas but will be doing our "Best Guitar Gear for 2009" list and "Your Home Recording Studio" due out this autumn!