Home Recording Studio Basics: BOSS BR-1200CD

Studio equipment tips to make your next CD / Mp3 recording project a success!

If you are just starting to think about a home recording studio to make your musical ideas come to life, getting a stand alone portable digital recorder is a good place to start. You'll want a system that will grow with you so don't worry if things like mastering and recording drum and bass tracks are not top priorities right now. They will be more important later so it is best to invest in a recorder that has at least 8 tracks.
I chose the CD burning feature of the BR-1200CD 12 track digital recorder because it allows me complete control over my production from first idea to finished disc. I can also quickly provide producers or venues with a sample CD on demand in minutes. No minimum orders! Of course many pros will simply exchange MP3 files but often times the sound quality will only be as good as the receiving end's laptop or MP3 player.
A CD can travel easily in a car where is when most agents would have the time to listen to it.


Here are some of other features of the BR-1200CD from the BOSS website:
From guitar pick to compact disc, the BR-1200CD can turn your ideas into radio-quality songs with power and ease. Packed with great COSM® effects and amp models derived from BOSS’s GT-6/6B multi-effects processors, plus a great-sounding bass and drum rhythm programmer for instant backing tracks, the BR-1200CD is the friendliest and most comprehensive hard disk recorder on the market.

• 12-track playback with 192 V-Tracks
• Fast drum pattern creation with EZ Compose
• Vocal harmony generator and pitch correction
• USB port for file sharing with computers
• CD-R/RW drive

Now if you are someone like myself who has had very little if any experience in digital recording, you'll find the BR-1200CD to be pretty intuitive and easy to use. The microphone and guitar jacks are logically placed in both the front and back of the unit. The only thing is with this model, you can only record two tracks at a time. It really isn't a major problem for me because I prefer to layer or over-dub my tracks anyway. That way if the last set of tracks you recorded doesn't sound right, you can scrap it without killing all of the tracks you've recorded prior.

The BR-1200CD has great built in effects for both vocals and guitar. It will even accommodate a phantom powered mic but you will need to make that adjustment within the system itself. I would seriously consider upgrading to a condenser mic for use with this recorder especially if you are looking for warm clear vocals to stand out in the mix. I've used the Audio Technica ATM710 and AT2021 condensers with this recorder and have been blown away by the presence and richness they offer over dynamics. I can't wait to find out how the new Audio Technica-4081 Ribbon Mic will perform with this unit but I'm eager to experiment. Read our recent Review of the AT-4081!

Just like any other technology, there are nuances and a learning curve in the art of recording. Starting off with quality, all in one solutions means your recording studio will be less "Rube Goldberg-ish" and streamlined to get your projects out the door like a professional. I would also recommend purchasing the BR1200CD Instructional DVD shown in the banner ad section on the left. It can help cut to the chase and quickly get around the recorder. Here is another review featuring the instruments we've recorded with the BR-1200CD!

The BOSS BR-1200CD on the job in the studio along with the BOSS DR-880 Drum & Bass Machine. All in one, stand alone digital recording studios like this means less chance that you will loose your precious music files due to your lap-top crashing. A 40 GB hard drive on the BR-1200CD gives you more than enough room to create, edit and store your music. Retails for $1052.00, Street $899.00, (Sweetwater). Headphones: ATH-M50's by Audio Technica

Recording & Burning CD's

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Just in time for Valentine's Day! Here's some inspiration for writing and recording that first love song. Capture your work on a radio-ready CD. Studio headphones and distressed tee by Audio-Technica.

Valentine's Day for me marks the fact that winter is slowly coming to an end. It makes me think of the romance of spring to come and inspires me to get my ideas down on paper. Where do you get such material, one may ask? I've found that the best songs begin with a page from your own life's experience. Torch songs are only effective if the singer "inhabits" the lyrics. This means that the song has to have some connection to your being. Whatever you do, you've got to have conviction. Tell the story! So how do you begin?

Got An Idea?

Some people find that the lyrics come first, pretty much like writing a poem. Then they sit down and try to construct a melody with chord progressions. If you have the opportunity, jam with some professional musicians on a regular basis. You will find a lot of ideas flowing out of a set, especially if you play a break. When you are called on to solo, you are improvising on the spot and creating your own melody line against the written tune. This is especially true for the blues and jazz but other styles also allow this sort of free form creativity.

Photographed here are a few members of my musician's guild whom I regularly play with. We do mostly Bluegrass, Gospel, Folk and Country. In our workshops, we always ask if there is a song someone is working on. You kick it off and they will come in with their individual breaks and comps. This way you can hear what your song could sound like with just the right mix of bass and lead solos. If you ever get to do studio work, you'll find that most today use click tracks or drum and bass machines. Drummers are seldom used in session work anymore so it may be a good idea to get used to playing with drum and bass tracks or at least a metronome. Still, there is nothing quite like playing with a group of live, seasoned, spontaneous musicians like these guys. It's something that just can't be replicated by a machine. Get more information on jamming by reading the article, Bluegrass Season is Here: http://mariejmiczak.blogspot.com/2008/04/bluegrass-season-is-now-open.html

Recording Your Work

When I have an idea or even just the "hook" for a song, I use my MP3 player or similar digital recorder to capture the moment. This way, the little nuances in the melody or vocals can be saved. This makes it easier for when you decide to transfer your ideas to sheet music. The main thing is to seize the moment! However don't get too stuck on replicating what you did on any given day. Why? Well, that was what you were inspired to do at that particular moment. You might do it even better in a subsequent recording session. Once your preliminary work has been saved onto an MP3 file, you can download it onto your computer. This way you can share it with others.

The Best Vocal Recording Mics... Audio-Technica Condensers

What is the best microphone to use to record vocals? When you are shooting for studio quality recordings, you'll need to invest in a very well made condenser mic. You can skimp on a lot of things such as studio monitors, mic stands, etc. but this is one piece of equipment you should be serious about. Condensers in general are much more sensitive and responsive as compared to dynamics. Which studio mic do I use? Audio-Technica's AT4047/SV. It comes with a matching shock mount and is the best large diaphragm, side address condenser I've ever used. Wonderfully sensitive without being testy with feedback. Adds all the polish and warmth you're looking for while setting your work apart from the rest. It actually works quite well as an instrument mic too but I stand by it for vocals. You do not have to spend $3,000.00 for a quality studio mic like this anymore! This mic has been compared to the upper priced Neumann and Sienhiesser mics by professional recording studio engineers and recording artists. The AT4047/SV more than holds its own against these and other high-priced microphones. What we especially appreciated is that the 40 Series mics all come with matching shock mount and dust cover as furnished accessories. Other microphones require that you purchase these pieces separately. As a follow up on Audio-Technica's 40 Series, we'll also be using their AT4050 Multi-pattern Condenser microphone for our recording project with C.F. Martin & Co. Visit Audio-Technica's website for all of their excellent mics at: http://www.audio-technica.com/cms/site/c35da94027e94819/index.html

Burning Your Work Onto a CD

Once you have your ideas sketched out and saved either onto your MP3 player or digital recording device, you will want to back it up by saving onto a CD. This is good to do if you want to keep a hard-copy record of your studio work and even down to your finished project. A digital recording studio allows you to "punch out" mistakes or even record alternative tracks for the same song. That's what all those radio remixes are that you hear in the clubs. Phrase looping is also easy to do with a digital recorder as is over-dubbing. Since music files eat up a huge amount of space on your computer, I would recommend getting a stand-alone recorder like the BOSS BR1200CD pictured here. It has a 40 GB hard drive, 12 tracks, (no waiting!), and mic / instrument input jacks right up front. Phantom power is also available for your condenser mics and there's a vocal effects kit as well as a mastering toolbox to give your CD that "pro" quality everyone expects today. Best of all, you have complete control over your work, from your first idea to the final production. Save alternate versions of the same song to work on later. Visit BOSS online at: http://www.bossus.com

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